Effects

We check out the updated version of Eventide’s creative ‘Structural Split’ effect.

Want to learn about vintage studio effects units? This book is a great place to start.

The Zelzah will take you to places conventional phasers can only dream of...

Do your productions lack texture and movement? Your DAW’s modulation plug‑ins might offer a solution.

With granular processing, pitch manipulation, reverb, modulation and a looper, this isn’t just a tool for guitarists.

Can Tantra 2 help you breathe new life into your sounds?

TC Electronic’s first chorus device dates back to 1976 and is now reborn in the form of their SCF Gold all-analogue pedal.

Zoom’s new multi‑effects pedal is both a problem‑solver and a source of inspiration.

Efx Fragments is a granular effects processor that can create effects ranging from obvious glitchiness to ethereal ambiences.

With its intoxicating amount of modulation options, this creative effects plug‑in could become rather addictive!

Gibson breathe new life into a fondly remembered vintage pedal marque.

Based on the chorus section of Roland’s classic RE‑501, this isn’t your average 500‑series module!

UJAM add sonic movement to the themes explored in their popular Finisher series.

It can’t turn you into Bob Clearmountain, but this plug‑in can certainly help you create some beautiful effects!

Empress’ compact, powerful and versatile ZOIA is part multi‑effects unit, part modular synthesizer...

Another of Eventide’s excellent plug‑ins makes the transition to the popular pedal format.

Combining the classic vocoder with Antares’ popular pitch processor, this plug‑in is capable of some pretty 'out there' effects.

Described by its creator as a “weirding module”, the Atreides doesn’t do things by halves!

The Vibraslide is a genuinely unique and impressive take on the guitar sustainer concept.

Available through United Plugins, Muramasa Audio’s Electrum is a guitar‑style amp, speaker and pedalboard modelling plug...

This Voice Changer plug‑in is probably going to appeal more to those creating podcasts or low‑budget movies than to music producers...