Eventide have finally landed in the sweet‑smelling meadows of Euroland with the Euro DDL, the beating heart of an Eventide digital delay in Eurorack format.
The DC‑2W is based on the same principles as the original flagship Roland SDD‑320 Dimension D processor, and it can emulate both the discontinued DC‑2 pedal and the SDD‑320.
Lunastone use cascaded gain stages rather than clipping diodes to achieve their amp-like distortion. And Smooth Drive 1 claims to deliver vintage tones that are just on the edge of break-up, rather than full-on distortion.
Guitar pedals range from the very basic ‘turn a knob’ variety to those with deep MIDI implementations and layers of hidden parameters. Lunastone’s Three Stage Rocket [MIDI Version] overdrive aims to strike a balance between those extremes...
O-G-SUS (Oliver Greschke) is already well known amongst iOS musicians for the excellent Elastic Drums app, but his latest offering is an effects app: Elastic FX.
Kosmonaut is Bram's take on a delay effect. Like Troublemaker and Ripplemaker, the GUI is both a cool design, easy to use in the compact mobile format and packed with features.
Electro-Harmonix’s Oceans 11 reverb pedal offer you the classic Hall, Plate and Spring options, plus modulated reverbs, pitch-shifted reverb, reverb/delay, reverse reverb, a Shimmer patch, and an infinite reverb mode...
Strymon’s effect pedals are revered and rumours of Eurorack versions generated a degree of anticipation. The first module released is Magneto, an echo machine based on tape simulation, with four playback heads, phrase sampling, looping and a lush spring reverb.
This stereo effects processor uses a cartridge system to provide a growing number of new effect algorithms and is Tiptop Audio’s 2018 update to a very successful digital Eurorack module first released back in 2009.
Meris’s recent repackaging of their Mercury7 500-series unit into a reverb pedal has brought with it stereo operation at both instrument and line levels and a very welcome drop in price.