It’s easy to pigeonhole spring reverbs as guitar amp accessories, but back in the pre-digital era, AKG built a no-holds studio spring reverb system called the BX20.
Siren Audio launched the Lorelei suite of applications a few years ago but now two of them, Generative and Feedback 2 have received major tweaks and updates.
Ogre’s Tubeholic pedal overdrive contains neither tubes nor, as far as I can tell, any alcohol. It does, however, feature 440g of barking-mad cast metal as its case.
While an overdrive pedal might not seem like an obvious studio accessory I’ve often found that using an analogue overdrive pedal before a software modelling amp/speaker produces more musical results.
For such a simple-looking box, decked out with one knob, two buttons and no display beyond a single LED, the TC-Helicon Ditto Mic Looper is a very sophisticated piece of kit.
While we’ve all been sitting waiting for the next big thing in studio recording, there’s been a quiet but very significant revolution going on literally beneath our feet in the world of effect pedals.
If you read my review of the Electro–Harmonix B9 Organ Machine effects pedal, their C9 will look very familiar but this latest pedal offers different sounds.
Flux FX is an ambitious iOS effect processor created by guitar legend Adrian Belew and developers. It provides a chain of up to five versatile effects, each with an X-Y pad for performance access, plus a step sequencer for capturing pad motion.