Lunastone use cascaded gain stages rather than clipping diodes to achieve their amp-like distortion. And Smooth Drive 1 claims to deliver vintage tones that are just on the edge of break-up, rather than full-on distortion.
Guitar pedals range from the very basic ‘turn a knob’ variety to those with deep MIDI implementations and layers of hidden parameters. Lunastone’s Three Stage Rocket [MIDI Version] overdrive aims to strike a balance between those extremes...
O-G-SUS (Oliver Greschke) is already well known amongst iOS musicians for the excellent Elastic Drums app, but his latest offering is an effects app: Elastic FX.
Kosmonaut is Bram's take on a delay effect. Like Troublemaker and Ripplemaker, the GUI is both a cool design, easy to use in the compact mobile format and packed with features.
Electro-Harmonix’s Oceans 11 reverb pedal offer you the classic Hall, Plate and Spring options, plus modulated reverbs, pitch-shifted reverb, reverb/delay, reverse reverb, a Shimmer patch, and an infinite reverb mode...
Strymon’s effect pedals are revered and rumours of Eurorack versions generated a degree of anticipation. The first module released is Magneto, an echo machine based on tape simulation, with four playback heads, phrase sampling, looping and a lush spring reverb.
This stereo effects processor uses a cartridge system to provide a growing number of new effect algorithms and is Tiptop Audio’s 2018 update to a very successful digital Eurorack module first released back in 2009.
Meris’s recent repackaging of their Mercury7 500-series unit into a reverb pedal has brought with it stereo operation at both instrument and line levels and a very welcome drop in price.
Rainmaker consists of a stereo 16-tap spectral delay paired with a 64-tap comb resonator, the latter sporting external triggering options that turn it into a (single-voice) Karplus-Strong synthesizer.