Ogre’s Tubeholic pedal overdrive contains neither tubes nor, as far as I can tell, any alcohol. It does, however, feature 440g of barking-mad cast metal as its case.
While an overdrive pedal might not seem like an obvious studio accessory I’ve often found that using an analogue overdrive pedal before a software modelling amp/speaker produces more musical results.
For such a simple-looking box, decked out with one knob, two buttons and no display beyond a single LED, the TC-Helicon Ditto Mic Looper is a very sophisticated piece of kit.
While we’ve all been sitting waiting for the next big thing in studio recording, there’s been a quiet but very significant revolution going on literally beneath our feet in the world of effect pedals.
If you read my review of the Electro–Harmonix B9 Organ Machine effects pedal, their C9 will look very familiar but this latest pedal offers different sounds.
Flux FX is an ambitious iOS effect processor created by guitar legend Adrian Belew and developers. It provides a chain of up to five versatile effects, each with an X-Y pad for performance access, plus a step sequencer for capturing pad motion.
By designing a signal processing environment that offers endless modulation and routing options, Native Instruments hope to reinvent the way we use effects.