Effects

We get hands-on with the most unusual device yet to spring forth from the IGS workshop.

Waves took on the challenge of modelling four modified EMT 140 plates used at Abbey Road Studios on countless classic recordings. Did they succeed?

B-Scanner replicates the vibrato and offers far more scope to create effects outside the range of Hammond’s original ‘scanner’ chorus/vibrato circuit.

Emulating the setup of gates and room mics on the vocal treatment Tony Visconti used for the David Bowie track ‘Heroes’, Eventide's plug-in is more than a one-trick pony...

Electro Harmonix always manage to come up with a new twist when developing new pedals, and their Cock Fight combines...

Eighteen years after the launch of their ground-breaking POD, Line 6’s new flagship amp-modeller looks brimful of promise.

With such brilliant software reverbs now available, does this new hardware unit warrant a place in the space race?

With new amps, effects and a stripped-back GUI, is Overloud’s modelling software ready to play a headline slot?

Algorithmic reverb plug-ins still can’t match high-end hardware, but Liquidsonics are bridging the gap with an innovative new convolution technique.

The MF Flange and MF Chorus pedals are the latest in Moog’s Minifooger line, the initial offerings of which we reviewed...

This powerful vocal processor puts its controls right where you need them!

AmpliTube 4 gives the virtual guitarist more amp, cab and miking options than ever before.

The Key9 takes in a monophonic or polyphonic signal from a standard electric guitar, processes the waveforms that come from the pickups, and delivers a remodelled sound, in this case emulating electric pianos...

Designed and built in Germany, and paying tribute to the Tube Screamer sound...

Need a drum accompaniment at the flick of a switch (and the tap of a foot)? Then look no further than this crafty device!

Laney’s versatile Ironheart amps are impressive, but can you really get the same sound from a stomp box?