TC Electronic’s first chorus device dates back to 1976 and is now reborn in the form of their SCF Gold all-analogue pedal.
Zoom’s new multi‑effects pedal is both a problem‑solver and a source of inspiration.
Gibson breathe new life into a fondly remembered vintage pedal marque.
Another of Eventide’s excellent plug‑ins makes the transition to the popular pedal format.
Parallel processing while mixing is a common technique — so why not try it with your pedals when recording?
Described by its creator as a “weirding module”, the Atreides doesn’t do things by halves!
The Vibraslide is a genuinely unique and impressive take on the guitar sustainer concept.
Hotone believe you shouldn’t have to tweak a million virtual components to find a great guitar tone...
Fideleater is a lo‑fi chorus, vibrato and delay pedal whose six controls can be used to access a huge palette of sounds.
Given the significant cost of this pedal, it’s probably going to appeal mainly to those who already know what to expect from it, though the limited production run may also make it of interest to collectors.
While the Vena Cava Filter is a distortion pedal at heart, the main functions of this unit are an auto-filter and ring modulator.
The bucket‑brigade analogue delay line gives this pedal a classic chorus sound reminiscent of the early Clone Theory pedals...
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
This delicious‑sounding phaser should fill the needs of funk players or those trying to replicate some of the gentler Jimi Hendrix and David Gilmour effects.
Warm Audio’s Foxy Tone Box claims to be an accurate recreation of one of the most sought‑after vintage fuzz pedals of all time...
Source Audio have managed to get the relationship between input envelope and filter response to feel very natural on this envelope-controlled filter.
Cirrus combines delay, reverb, dynamic modulation, dynamic filtering, sample & hold modulation and octave shimmer in a single digital pedal.
11 impressive modulation processes all in one compact pedal — what's not to like?
The 1973 version two Big Muff Pi — with a ram's head printed on the casework — was used on so many classic records that EHX have decided to bring it back.
Bass9 transforms the signal from a standard six-string electric guitar into one of nine different bass sounds...
Collider is essentially a dual–DSP marriage of Source Audio's Ventris reverb pedal and their Nemesis delay.
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