EQ will make or break your master. It's the single most important factor in mastering, once you've decided the loudness...
I've always advised my students to set their high-pass filter slope at a steep setting of 48dB per octave to reduce boominess. Is this the best advice to give my students, who are very much at the beginner stage?
Plug‑in models of classic hardware can sound great if you feed them the right level. But what level is right?
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