EQ

What if you could access the sound and controllability of a range of the best-known classic analogue compressors and EQs, from a single rackmount box, in the digital domain? Two advanced processors from Sintefex aim to offer just this ability.

Paul White tries out TLA's combination of front end and parametric equaliser.

To mark 35 years in the business of audio design, Oram have launched a special limited edition 'Hi‑Def' equaliser. Hugh Robjohns tries out this attractively priced derivative of the famed HDEQ2.

Focusrite's latest product is an updated version of one of their '80s classics. Is it even better the second time around?

We test ART's two compact tube processors to see if they sound bigger than they look.

While this outboard EQ provides little more than a decent desk EQ in the way of facilities, it does have that distinctive vintage JoeMeek sound at a price that won't break the bank.

For serious sonic sculpting, you can't beat a parametric EQ, and this new contender from Seattle-based Symetrix is priced within reach of many project studio owners.

Paul White tries his hand at tonal transformation using Ashly Audio's latest parametric equaliser.