The right EQ settings can make a mix — and the wrong ones can make a mess. Our in‑depth guide will help you get more from this all‑important tool.
I've always advised my students to set their high-pass filter slope at a steep setting of 48dB per octave to reduce boominess. Is this the best advice to give my students, who are very much at the beginner stage?
Plug‑in models of classic hardware can sound great if you feed them the right level. But what level is right?
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