Infiltrator 2 is a multi-effects plug-in from Devious Machines loaded with modulation and sequencer-based capabilities.
Comprising a huge variety of world-class Eventide effects, Physion MkII processes a sound's transient and tonal parts separately.
The latest version of Nomad Factory's 80s Spaces plug-in adds a range of features, including new EQ and Colour options for the Effect section.
RO-GOLD from Black Rooster Audio is a free software emulation of a vintage plate reverb upgraded with a 24k gold plate.
Soundtoys have announced a month-long sale on upgrades and trade-ups that are available to current registered users.
TrapTune from United Plugins and SounDevice Digital offers an all-in-one vocal processing solution aimed at creators of hip-hop, trap, EDM, R&B and contemporary pop music.
LiquidSonics have announced a major free update to their HD Cart reverb plug-in, adding Dolby Atmos 7.1.6 support as well as additional processing options.
Poly Space is the first platform-free effects plug-in from Karanyi Sounds, who primarily develop Kontakt instruments aimed at composers and sound designers.
Vienna Symphonic Library have released MIR Pro 3D, the third generation of their mixing and reverberation software.
Strymon's blueSky, El Capistan, Flint, Deco, DIG, and Lex pedals have all been treated to an update, with new MIDI functionality and controls added.
Spacelab combines reverb with 3D-panning and brings immersive mixing features to users of any DAW.
New T-RackS plug-in captures nine different spaces at the legendary Muscle Shoals recording house.
Creating your own shimmer reverb effects is easy, and gives you plenty of creative control.
Reverb plug-ins can present a bewildering variety of parameters. We explain what they're there for, and how to put them to good use!
Used correctly, reverb is of the most powerful tools of modern music production. This month, we explore the most effective treatments for some of the individual components of a mix.
Paul White looks at how real reverberant spaces affect the perception of sounds within them, and shows you how your digital reverberation unit can simulate this process.
Paul White explains why a great reverb doesn't always make a mix sound better.
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