This Brainworx EQ is inspired by esoteric mastering hardware.
From subtle warmth to full-on modulated mayhem, this plug‑in covers a lot of ground.
We bask in the reflective glory of a rather special algorithmic reverb generator.
Based on impulse responses, Spaces incorporates profiles of some of Bob Clearmountain's favourite rooms and echo chambers, along with some of the processing used on many of his hit records.
Undulator combines multitap delay with feedback and detuning, alongside a multi-waveform tremolo whose depth and speed can themselves be modulated.
These two plug‑ins bring you the spirit of their 'unobtainium' hardware counterparts!
Best known for their high-end guitar reverb effects pedals, the company has recently ported their reverb algorithm into software.
SubBass Doctor 808 is designed to add sub-bass to sounds that already reside in the sub-50Hz low-frequency register.
MAAT's mastering equaliser models the characteristics of 12 analogue EQ designs, but leaves out their real-world drawbacks!
SSL's famous listen-mic compressor just got more tweakable.
With algorithms ported from their H9 pedal system, MicroPitch is a dual pitch-shifter and a dual delay effect with modulation.
The AR1 is an algorithmic reverb supporting 64-bit VST and AU plug‑in formats on Mac and Windows.
Source Audio have managed to get the relationship between input envelope and filter response to feel very natural on this envelope-controlled filter.
Multiband compressors offer unique advantages over their broadband cousins — but they also present some perilous pitfalls for the unwary.
This studio DI box goes further than most, adding character to a range of sources.
Warmth is the name of the game for these three EQs, which boast modelled Marinair transformers and a range of different virtual vacuum tubes.
Your DAW makes it easy to fake old-school doubling techniques, and gives you much more control than producers had in days gone by. We show you how...
There's rather more to FabFilter's redesigned multiband saturator than a slicker GUI.
Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.
Two channels of Pultec-style EQ in a 500‑series module would be enough for most manufacturers. But not for Wes...
Just over a year ago I reviewed the Tiptop Audio Z‑DSP NS. It's a large, flagship, modular effects processor...
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