Signal Processors

A range of affordable third-rack units designed to cover a variety of studio tasks without compromising on quality.

TC-Helicon's new rack unit aims to provide you with every conceivable vocal recording tool, including EQ, compression, pitch-correction, double-tracking, intelligent harmony generation and effects.

What advantages are there to variable input impedance? • How can I extract loops from audio sample CDs? • Can I use the True Tape option in Cubase to prevent clipping? • Should I use S/PDIF or AES for long cable runs? • Can you have too much low-frequency absorption? • What's the best way to use the multiple filters on my soft synth?

This new version of Line 6's ground-breaking Pod guitar processor combines improved amp modelling with a host of high-quality effects plundered from the company's range of rack processors.

A compressor and front end combining pedigree Drawmer performance with ease of use.

Legendary designer Rupert Neve brings us the third in the Amek Pure Path range, a dual preamp and dynamics processor with unusually flexible filtering and side-chain facilities.

A powerful little half-rack valve preamp including three-band EQ and a digital output with word clock as standard.

The enhanced V‑Amp 2 has more sounds and more features... for less money!

TL Audio's successful Fat 1 stereo compressor now has a new sibling with its own built-in mic preamp. Paul White delivers the SOS verdict.

Drawmer's 1969 model, developed with US pro audio dealer Mercenary Audio, seeks to offer the facilities of their acclaimed 1960 valve-based processor, but with a more American sound.

Paul White tries out TLA's combination of front end and parametric equaliser.

Can this intriguing little box really emulate the recorded sound of many of the world's greatest guitar amplifiers?

It's a Focusrite, Jim, but not as we know it! Is it possible to deliver Focusrite quality at such an aggressively low price?