Signal Processors

TC upgrade both the hardware and the software of their cost-effective M•One multi-effects unit.

Korg's AX1500G floor-standing guitar multi-effects processor offers tons of tone for very few pounds.

TC's DSP-powered effects board has been upgraded, and now includes a much more impressive plug-in bundle.

Aphex update their famous Aural Exciter and Big Bottom processes for the 21st century.

Flying in the face of the 'digital all-in-one' trend, the Freque II unashamedly provides specialist analogue processing for the audiophile.

SPL's new surround-ready stereo compressor offers clever programme-adaptive compression, as well as decompression and tube-saturation functions.

Line 6's acclaimed Delay Modeler pedal gets a rackmount makeover.

Since 1999, Bob Moog's Big Briar company has been making analogue filters and effects pedals based on his original Moog module designs. Now there's a central control unit, so that you can use them all together as a complete processing system.

Samson's latest dynamics processors deliver quality sound and features that belie their affordable price tag.

The effects engine of the feted G Force at half the price! What more could you want? TC Electronic's new G Major guitar multi-effects processor sets out to redefine the price/performance ratio.

Joemeek's new dual recording channel provides an innovative current-sensing preamp, optical compression and three-band equalisation, as well as the option to fit an onboard stereo A-D converter.

TC-Helicon claim that their flagship vocal processor can make you sound like a totally different person. But how well does it work?

Used correctly, reverb is of the most powerful tools of modern music production. This month, we explore the most effective treatments for some of the individual components of a mix.

Paul White looks at how real reverberant spaces affect the perception of sounds within them, and shows you how your digital reverberation unit can simulate this process.

Hugh Robjohns looks at a pedigree mix compressor with a number of rather unusual extra functions up its sleeve...

Eventide's new entry-level unit brings their high-end algorithms within reach of the serious home studio owner.

TL Audio's successful Fat 1 stereo compressor now has a new sibling with its own built-in mic preamp. Paul White delivers the SOS verdict.

The inherent non-linearities and distortions of analogue equipment are sometimes sorely missed in this digital age. Empirical Labs offer their new FATSO Jr as a solution.

The new compressor in Focusrite's Platinum Range offers pre-programmed settings for ease of use, whilst still incorporating extensive manual parameter control. Paul White gets to grips with the Penta.

Lexicon's new multi-effects unit offers the classy sound quality of the MPX500 at an even more affordable price point.

Four years on from its launch, Sherman have updated their innovative Filterbank analogue filter unit. Paul Nagle checks out all the weird and wonderful new features.