Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
While capturing the sound of the original hardware and controls, IK have added several useful features that today's DAW user should appreciate.
Your DAW makes it easy to fake old-school doubling techniques, and gives you much more control than producers had in days gone by. We show you how...
Just over a year ago I reviewed the Tiptop Audio Z‑DSP NS. It's a large, flagship, modular effects processor...
Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.
What more can this plug‑in offer than the hardware that inspired it?
If you're seeking a performance-friendly effects processor with a top-notch signal path, this might be just what the doctor ordered...
This plug-in sounds pleasingly 'organic' and adds some useful functionality compared with the Binson Echorecs on which it's based.
Collider is essentially a dual–DSP marriage of Source Audio's Ventris reverb pedal and their Nemesis delay.
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