Last month we discussed how to prepare mixes so that they are ready for the mastering engineer. This month, we look inside the mastering room during the processing of an album, to see what kind of equipment is used, and the sort of processes that are applied to finish the tracks to the required standard.
Native's sound design software is back, and with v5, you have more control over your instruments than ever — offering fully user-definable looks, the ability to construct your own modules from scratch, and an improved library. We get patching...
This new card narrows the gap between Roland's VS-series machines and computer recording systems by allowing the use of third-party plug-ins within the multitracker environment. We test the card, its bundled plug-ins, and the first of the brand-name offerings from Universal Audio.
Using a combination of dummy load and speaker simulator lets you record your favourite valve guitar amp at full tilt without disturbing your neighbours. The trouble is, none of the designs so far have managed to sound close enough to a real speaker. Could this be the one that finally nails it?
The Kaoss Pad Entrancer builds on the success of the Kaoss Pad 2, offering the same versatile X-Y pad-driven audio processing capabilities, but adding video processing to give you real-time control over both sound and vision.
Expanding on the modelling technology used in their Variax and Variax Acoustic, Line 6 have dropped an octave and turned their attention to the bass guitar. The Variax Bass features 24 models of 'classic' instruments — is it all the bass you'll ever need?
You probably know Allen & Heath as a studio mixer manufacturer, but they also specialise in high-end DJ mixing and processing. Now they have combined their studio and DJ expertise into a multi-mode analogue filter with sophisticated MIDI control.