This delicious‑sounding phaser should fill the needs of funk players or those trying to replicate some of the gentler Jimi Hendrix and David Gilmour effects.
Warm Audio’s Foxy Tone Box claims to be an accurate recreation of one of the most sought‑after vintage fuzz pedals of all time...
Source Audio have managed to get the relationship between input envelope and filter response to feel very natural on this envelope-controlled filter.
Cirrus combines delay, reverb, dynamic modulation, dynamic filtering, sample & hold modulation and octave shimmer in a single digital pedal.
I've got a Zoom MS-70CDR [multi-effects] pedal, and a few people are saying not to use it via an aux send and return, owing to a comb-filtering issue. Have you noticed this issue with digital pedals on aux returns?
11 impressive modulation processes all in one compact pedal — what's not to like?
The 1973 version two Big Muff Pi — with a ram's head printed on the casework — was used on so many classic records that EHX have decided to bring it back.
Bass9 transforms the signal from a standard six-string electric guitar into one of nine different bass sounds...
Collider is essentially a dual–DSP marriage of Source Audio's Ventris reverb pedal and their Nemesis delay.
Nano offers the same overdrive and distortion as the original Operation Overlord pedal, minus the stereo ins/outs.
Billed as a faithful recreation of the built-in chorus effect found in the Roland Juno‑60 synthesizer, the June‑60 pedal goes all out to recreate the Juno aesthetic...
This all-digital pedal's polyphonic envelope technology lets you apply separate envelope shapes to overlapping notes to simulate a tape reverse effect.
Building on Avid’s Eleven Rack technology, this new hardware amp modeller promises to combine great sound with ease of use.
Designed by PandaMIDI in Hungary and inspired by the long-discontinued Akai Deep Impact, this unit adds a useful range of extra features.
While an overdrive pedal might not seem like an obvious studio accessory I’ve often found that using an analogue overdrive pedal before a software modelling amp/speaker produces more musical results.
These flexible effects pedals from the makers of the original Harmonizer are equally at home on stage and in the studio, with guitar, keys or even a mixing desk.
This unusual effects pedal combines a bank of eight band-pass filters with an analogue-style control sequencer.
Two effect pedals from the celebrated synth manufacturer provide serious modulation flexibility within a stomp-box format.
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