This ‘wet effects generator’ is aimed squarely at modern productions.
Waves have a long‑standing relationship with celebrated rock music mixer Chris Lord‑Alge, and CLA Epic offers the user some of Chris’s favourite delay and reverb treatments.
The Echo Cat mimics the famous Watkins hardware tape delay, but is capable of more besides.
Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
While capturing the sound of the original hardware and controls, IK have added several useful features that today's DAW user should appreciate.
Your DAW makes it easy to fake old-school doubling techniques, and gives you much more control than producers had in days gone by. We show you how...
Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.
Just over a year ago I reviewed the Tiptop Audio Z‑DSP NS. It's a large, flagship, modular effects processor...
What more can this plug‑in offer than the hardware that inspired it?
This plug-in sounds pleasingly 'organic' and adds some useful functionality compared with the Binson Echorecs on which it's based.
If you're seeking a performance-friendly effects processor with a top-notch signal path, this might be just what the doctor ordered...
Collider is essentially a dual–DSP marriage of Source Audio's Ventris reverb pedal and their Nemesis delay.
Boasting three pressure-sensitive footswitches, this delay pedal puts more control at your feet than most.
Arturia turn their attention to delays, offering us three software options: one an original design, and two modelled on classic hardware.
The TC 2290-DT is part plug-in, part hardware: the bus-powered USB 2 device acts as both dongle and control surface...
This stompbox combines analogue and digital processing to offer bucket-brigade warmth without the down sides.
This little module combines quiet, clean electronics with a characterful bucket-brigade delay line.
Developed in conjunction with Matthias Puech, the 4MS Tapographic Delay is a hands-on 32-tap delay with a maximum delay time close to three minutes.
The humble digital delay pedal has evolved into something we could once only dream of...
Electro-Harmonix’s Canyon is a delay/looper, but it goes the extra mile, packing a wide repertoire of delay effects into its compact pedal format.
Source Audio are really pushing the boundaries of delay processing with their latest One-series pedal, the Nemesis Delay...
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