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Signal Processors

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    Audio Damage Enso

    Looper Plug‑in For Mac, Windows & iOS

    What more can this plug‑in offer than the hardware that inspired it?

    Reviews Jun 2020
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    Black Lion Audio Bluey | Audio Examples

    Hear For Yourself

    These audio examples accompany the review of Black Lion Audio’s Bluey FET compressor in SOS June 2020

    Reviews Jun 2020
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    Black Lion Audio Bluey

    Mono FET Compressor

    Black Lion's Bluey recreates an 1176 that has made more hits than most!

    Reviews Jun 2020
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    Delta Sound Labs Stream

    Granular Effects Plug-in

    If you like looking to effects for musical ideas, this plug‑in's worth checking out.

    Reviews Jun 2020
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    DJ Swivel The Sauce

    Effects & Processing Plug‑in

    It's not every day you find a channel-strip plug‑in that offers out-there features such as pitch and formant shifting!

    Reviews Jun 2020
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    KMA Audio Machines Cirrus

    Spatial Temporal Modifier Pedal

    Cirrus combines delay, reverb, dynamic modulation, dynamic filtering, sample & hold modulation and octave shimmer in a single digital pedal.

    Reviews Jun 2020
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    Manley Labs ELOP+

    Dual-channel Compressor

    Manley's well-liked optical compressor gets a makeover in time for its 30th birthday!

    Reviews Jun 2020
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    PSP InfiniStrip

    Channel-strip Plug-in

    Want to combine the freedom to choose EQs and compressors with the convenience of a single plug‑in? PSP may have the answer...

    Reviews Jun 2020
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    The Hidden Dangers Of Vintage EQ

    Pultec EQP‑1A & Models

    Plug‑in models of classic hardware can sound great if you feed them the right level. But what level is right?

    Sound Advice Jun 2020
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    Q. Do digital effects always cause problems when used via an aux send?

    I've got a Zoom MS-70CDR [multi-effects] pedal, and a few people are saying not to use it via an aux send and return, owing to a comb-filtering issue. Have you noticed this issue with digital pedals on aux returns?

    Sound Advice Jun 2020
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    Q. How steep should I make a high-pass filter?

    I've always advised my students to set their high-pass filter slope at a steep setting of 48dB per octave to reduce boominess. Is this the best advice to give my students, who are very much at the beginner stage?

    Sound Advice Jun 2020
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