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Signal Processors

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    Moog Vocoder 2020 model.

    The Moog Vocoder is back!

    Return of the robots

    Moog Music have reissued their classic Vocoder, originally released in 1978. As on the original, there are 16 bands for optimal encoding of the human voice, ranging from 50 to 5080 Hz...

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    AMS RMX16

    500-series Digital Reverb

    The most classic of '80s reverberators has been reinvented — complete with retro controls — for the 500-series.

    Reviews Mar 2020
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    Apogee Clearmountain's Domain

    Effects Plug-in

    Will Bob Clearmountain's signature plug-in help aspiring mix engineers emulate their hero's success?

    Reviews Mar 2020
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    Drawmer 1974

    Stereo Four-band Parametric Equaliser

    Drawmer's affordable EQ brings a '70s vibe to your studio.

    Reviews Mar 2020
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    Baby Audio I Heart NY

    Parallel Compression Plug-in

    Can this 'New York–style compression' recapture the experience of sending audio out to a UREI 1176 in 'all buttons in' mode, smashing the crap out of it and blending it back under the dry signal?

    Reviews Mar 2020
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    Electro-Harmonix Bass9 Bass Machine

    Guitar Effects Pedal

    Bass9 transforms the signal from a standard six-string electric guitar into one of nine different bass sounds...

    Reviews Mar 2020
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    Eventide MicroPitch, Blackhole Reverb & UltraTap Delay

    Effects Plug-ins For iOS

    Eventide's first venture into iOS territory brings us three effects processors. All offered as iOS AUv3 plug-ins as well as working via IAA or in stand-alone mode.

    Reviews Mar 2020
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    FireSonic FireMaster

    Sonic Exciter Plug-in

    This plug-in offers parallel compression and tube-like saturation.

    Reviews Mar 2020
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    SIM1 XT-1

    Guitar Tone Imprinting Processor

    Ever wished you could play your Tele but hear your Les Paul? This clever box of tricks makes that possible...

    Reviews Mar 2020
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    Sonnox Oxford Drum Gate

    Dynamics Plug-in For Drums

    Sonnox's innovative dynamics processor offers unprecedented ability to separate wanted from unwanted audio in drum recordings.

    Reviews Mar 2020
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