This stylish module brings the ‘blue stripe’ revision of the UREI 1176 to the 500 series.
Typically, reverb plug-ins are either simple or versatile. FabFilter claim that their Pro-R combines both virtues.
I thought I had a handle on this, but seem to have a hard time understanding the difference between a compressor’s ‘Hold’ and its ‘Release’. Can you help explain?
Is it really possible to carry out studio-quality pitch-correction in real time? Waves think so...
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