You are here

Signal Processors

  • link

    Where To Use Processors & Why: Part 3

    Reverb

    Paul White explains why a great reverb doesn't always make a mix sound better.

    Techniques Dec 1997
  • link

    Multi-effects Explained: Part 5

    Summing Up

    Paul White concludes his series with an exhortation to unleash your creativity...

    Techniques Nov 1997
  • link

    Where To Use Processors & Why: Part 2

    Enhancers

    Last month Paul White covered gates and compressors; this month it's up to enhancers to justify their existence...

    Techniques Nov 1997
  • link

    Multi-effects Explained: Part 4

    Using MIDI To Add Dynamics

    Paul White looks at how MIDI can be used to turn static effects into dynamic ones.

    Techniques Oct 1997
  • link

    Where To Use Processors & Why: Part 1

    Gates & Compressors

    Paul White offers a little practical advice on the application of signal processing during recording and mixing.

    Techniques Oct 1997
  • link

    Multi-effects Explained: Part 3

    Effects Order: Which Is Best?

    Having looked at the various types of effects available, Paul White explains the importance of the order in which these effects are applied.

    Techniques Sep 1997
  • link

    Multi-effects Explained: Part 2

    Useful Processors

    Modern multi-effects units provide all sorts of useful processors in addition to the more usual reverb and delay-based effects. Paul White discusses the extras you might find inside your effects box and how best to use them.

    Techniques Aug 1997
  • link

    Multi-effects Explained: Part 1

    FX Building Blocks

    To start off this short series on multi-effects programming, Paul White explores the key building blocks found in today's versatile units.

    Techniques Jul 1997
  • link

    Psychoacoustic Enhancers

    Exploration

    Paul White looks at the different ways in which the leading enhancers produce their results, and offer some practical advice on where the various types work best.

    Techniques May 1997
  • link

    Compressors

    Exploration

    These days a compressor is pretty much an essential purchase if you're recording vocals or non-keyboard instruments. Paul White looks at how they operate, and how they can be used both to control levels and to fatten sounds.

    Techniques Apr 1997
  • link

    Using Short Delays To Create Up-front Ambience

    Tips & Tricks

    Craig Anderton explains how you can use your multi-effects unit to create contemporary short delay treatments.

    Techniques Jan 1997
Subscribe to RSS - Signal Processors