Multiband compressors offer unique advantages over their broadband cousins — but they also present some perilous pitfalls for the unwary.
I've always advised my students to set their high-pass filter slope at a steep setting of 48dB per octave to reduce boominess. Is this the best advice to give my students, who are very much at the beginner stage?
You can do so much more with noise gates and expanders than nix unwanted noise...
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