Signal Processors

Fideleater is a lo‑fi chorus, vibrato and delay pedal whose six controls can be used to access a huge palette of sounds.

Given the significant cost of this pedal, it’s probably going to appeal mainly to those who already know what to expect from it, though the limited production run may also make it of interest to collectors.

While the Vena Cava Filter is a distortion pedal at heart, the main functions of this unit are an auto-filter and ring modulator.

The bucket‑brigade analogue delay line gives this pedal a classic chorus sound reminiscent of the early Clone Theory pedals...

Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.

This delicious‑sounding phaser should fill the needs of funk players or those trying to replicate some of the gentler Jimi Hendrix and David Gilmour effects.

Warm Audio’s Foxy Tone Box claims to be an accurate recreation of one of the most sought‑after vintage fuzz pedals of all time...

Source Audio have managed to get the relationship between input envelope and filter response to feel very natural on this envelope-controlled filter.

Cirrus combines delay, reverb, dynamic modulation, dynamic filtering, sample & hold modulation and octave shimmer in a single digital pedal.

I've got a Zoom MS-70CDR [multi-effects] pedal, and a few people are saying not to use it via an aux send and return, owing to a comb-filtering issue. Have you noticed this issue with digital pedals on aux returns?

11 impressive modulation processes all in one compact pedal — what's not to like?

The 1973 version two Big Muff Pi — with a ram's head printed on the casework — was used on so many classic records that EHX have decided to bring it back.

Bass9 transforms the signal from a standard six-string electric guitar into one of nine different bass sounds...

Collider is essentially a dual–DSP marriage of Source Audio's Ventris reverb pedal and their Nemesis delay.

Nano offers the same overdrive and distortion as the original Operation Overlord pedal, minus the stereo ins/outs.

Billed as a faithful recreation of the built-in chorus effect found in the Roland Juno‑60 synthesizer, the June‑60 pedal goes all out to recreate the Juno aesthetic...

This all-digital pedal's polyphonic envelope technology lets you apply separate envelope shapes to overlapping notes to simulate a tape reverse effect.

The Gigboard crams the processing power of Headrush's flagship Pedalboard into a compact and easy to use format.

Building on Avid’s Eleven Rack technology, this new hardware amp modeller promises to combine great sound with ease of use.

Designed by PandaMIDI in Hungary and inspired by the long-discontinued Akai Deep Impact, this unit adds a useful range of extra features.

While an overdrive pedal might not seem like an obvious studio accessory I’ve often found that using an analogue overdrive pedal before a software modelling amp/speaker produces more musical results.