Antelope Audio founder Igor Levin chats to Sam Inglis about their distinctive approach to audio interface design. We find out how Antelope’s innovative use of FPGA technology has enabled them to deliver impressive signal processing power.
Tony Agnello and Richard Factor chat about the 50 year history of Eventide, from their groundbreaking use of digital technology in the early ’70s to the modern challenges of adapting their algorithms for plug-ins and stompboxes.
I've got a Zoom MS-70CDR [multi-effects] pedal, and a few people are saying not to use it via an aux send and return, owing to a comb-filtering issue. Have you noticed this issue with digital pedals on aux returns?
I've always advised my students to set their high-pass filter slope at a steep setting of 48dB per octave to reduce boominess. Is this the best advice to give my students, who are very much at the beginner stage?
Mark Crabtree of AMS Neve chats with Sam Inglis about how two of the biggest names in UK audio technology came together, and how they are using their unique expertise in analogue and digital audio to develop their next wave of studio products.
Compression can do radically different things to the sound of a snare drum, depending on how it's set up. In this episode, Mike Senior explores three ways in which a compressor can help bring your snare tracks to life.