Signal Processors

Tonemission, founded by John Petrucci, guitarist and founding member of prog metal band Dream Theater, recently released a...

Drift is a plug‑in that embraces all those things that old‑school engineers used to hate about analogue tape!

There were some strange pin assignments on Eventides in the old days — could that be the problem?

Sonible’s AI‑based EQ processing just got easier to use and more affordable.

Strymon’s Brig is a digital pedal that runs analogue ‘bucket brigade’ delay emulations, and offers three switchable delay voicings.

The ever‑growing UAFX stompbox line‑up now includes a range of more affordable single‑function digital pedals: 1176 Studio Compressor, Orion Tape Echo, Heavenly Plate Reverb and Evermore Studio Reverb.

The war of the clones shows little sign of ending — and Warm Audio have now trained their sights on a very classy optical compressor.

The cab‑modelling pioneers take on the rest of the chain, right from the preamp input to the mics.

Scatter is a very simple‑to‑use granular delay that generates up to 64 grains with randomised positions, with stereo placement based around a fixed one‑second recording buffer.

The latest pedal from Warm Audio pays homage to one of the all‑time pedalboard favourites, the Fulltone OCD pedal.

There are now some impressive offline source separation tools — but this one works in real time!

If you’re a fan of Ted Fletcher’s classic optical compressor designs, this one should not disappoint.

OE’s all‑analogue bass pedals pack the sound of a stack into a stompbox.

This great‑sounding processor does more than make your music loud — but does it do enough?

Thomas McRocklin’s first foray into the world of guitar rig emulations treads a slightly different path from the competition.

For the first time, the Red and Blue bands of RND’s popular Silk circuit can be used together in the same device — but there’s more to the MBT than purple Silk!

The Ultraviolet is the third pedal to join the ranks of Strymon’s new compact line of ARM‑powered processors.

It’s nearly half a century since the first guitar synth became available commercially — and, boy, have they come on a long way since then!

Blackstar have an enviable track record in building genuine valve amps. Can their first modelling plug‑in maintain those lofty standards?

This software adaptation of Erica’s desktop delay unit boasts plenty of substance, flexibility and attitude.

With some neat features to control how the compressor and expander interact, there’s more to this module than meets the eye.