Signal Processors

Paul White checks out a signal processor with no knobs, no buttons and no display, designed to add valve warmth to 8-track recording.

Alesis reverbs seem to get ever-more cheap and cheerful. But can low price and simplicity go hand in hand with studio-quality performance? Paul White finds out.

Paul White plugs into the all-singing, all dancing digital box that can perform graphic, parametric and shelving EQ functions all at once — and even handle real-time room analysis and auto EQ'ing during its quieter moments...

There have been Leslie simulators before, but none to exploit the sympathetic warmth of valves.

Paul White tries to pigeonhole Digitech's new effects unit — but quickly discovers that it can mean different things to different users.

Digitech have trimmed back both price and features for the latest addition to the TSR effects family. But does the newcomer offer enough bang per buck?

Can a low-cost processor really clean up noisy recordings effectively? Paul White finds out.

Where equalisers are concerned, quality is more important than quantity, but does this Swiss-made equaliser justify its hefty price tag? Paul White finds out.