Explore the ups and downs of Phoenix’s transformer-laden tone control...
The latest iteration of Peavey’s modelling software not only allows you to build your own virtual guitar amps, but to ‘profile’ real ones.
Roland’s EC-10M turns any cajon into an electronic percussion generator.
This stylish module brings the ‘blue stripe’ revision of the UREI 1176 to the 500 series.
Typically, reverb plug-ins are either simple or versatile. FabFilter claim that their Pro-R combines both virtues.
Is it really possible to carry out studio-quality pitch-correction in real time? Waves think so...
I thought I had a handle on this, but seem to have a hard time understanding the difference between a compressor’s ‘Hold’ and its ‘Release’. Can you help explain?
Haaze is a simple to use tool for manipulating stereo width in an audio signal — and it's cheap as chips.
Could this modern take on a classic compressor design be fab for your studio?
These classy new French-made modules are inspired by vintage designs, but they also add a few unexpected and useful features.
We explore some more advanced techniques and less-obvious applications for Synchro Arts’ powerful audio-alignment processor.
We dive deeper into Synchro Arts’ powerful pitch-processing and audio-alignment software.
UA’s latest updates add new compressors, delays, voice channels and virtual bass amps, as well as refreshing a few familiar faces.
Room simulation on headphones usually stops being convincing as soon as you move your head. Not so with Waves’ new Nx...
iZotope say that Neutron not only has the processing power to address all sorts of mixing issues, but the intelligence to help you identify them.
In Ableton Live, I used to use a plug-in to split a channel so that I could do multiband processing. I’m now using Cubase Pro 8.5 and it doesn’t seem to work...
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