Signal Processors

TC's plug-in powerhouse is now available as an external Firewire-connected rack unit.

Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.

Reverb is vital for most types of modern music production, so it's no surprise to find that many sequencers provide a variety of reverb plug-ins. But what do all those different parameters do?

There are many choices to make when equalising within your sequencer. Which type of EQ is best? How should you set up the different bands? Which controls do you need? We provide some answers...

Following on from our discussion of compression and limiting last month, let's look at how you can use the related processes of gating and expansion within your DAW.

The latest plug-in for the TC Powercore card allows you to extract frequency responses from commercial tracks and apply them to your own mixes.

All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?

This plug-in produces essentially the same results as its analogue rackmount counterparts, so if you already know and like the BBE process, you should take no convincing.

Voxengo's Curve EQ is a 'linear phase spline equaliser' with a 2048-point filter kernel, which lets you draw highly complex responses using its graphic interface.

Although most major MIDI + Audio sequencing applications include bundled EQ, dynamics and reverb plug-ins, they don't always sound too great, so many users are on the lookout for alternatives, like these two from Wave Arts.

R3 comprises a five-band, fully parametric EQ design plus switchable-slope, variable-frequency high and low-pass filters.

Dominion is a 'signal modelling device' similar in concept to SPL's highly regarded Transient Designer dynamics processor, embodying characteristics of both compressors and expanders, yet without being either a compressor or an expander in the normal sense.

Digital hardware that models classic guitar amps has been big business in recent years, but in the software field Line 6's Amp Farm has had the market to itself. Now, however, IK's Amplitube looks set to provide some serious competition.

CDXtract 4 is a handy cross-platform utility for extracting and converting sample data from CD-ROMs.

The latest technological advances in reverb design have yielded expensive hardware units that can 'sample' the sound of real rooms. Now Audio Ease's Altiverb brings the same convolving technology to the Mac — at a fraction of the cost.

Many home and project studio owners are interested in mastering as a way to add that professional sheen to their recordings. The newest way to do this is with iZotope's DirectX mastering tool for PC.

TC's DSP-powered effects board has been upgraded, and now includes a much more impressive plug-in bundle.

Formats: PC DirectX, VST

Reviewed: Mac version

The SPL De‑Esser user...

Plug‑in pack: Mac/PC, all formats; TDM and Mac stand‑alone versions also available

Reviewed: PC...

Originally designed by SOS author Craig Anderton as a DIY hardware circuit, Spectral Design have now turned this into a software plug‑in. Unlike most other distortion effects, it splits the signal into four frequency bands and distorts each one individually.

TC Native Bundle 2.0 can now be seen as roughly equivalent in scope to Waves' Native Power Pack, or as a high‑end version of their own Native Essentials bundle...