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Signal Processors

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    Euterpe Vertice

    Hand-built Analogue Filterbank

    They say they don't make 'em like they used to, but in the case of this Italian boutique filterbank, they do!

    Reviews Apr 2020
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    Niio Analog Iotine Core 4

    Filter & Distortion Effects Processor

    This all-analogue processor is designed to massage, mangle and mutilate your audio.

    Reviews Oct 2019
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    Eventide H9000

    Digital Multi-effects Processor

    Eventide's most powerful ever Harmonizer crams half a century of effects know‑how into a unit that's elegant, easy to use and — thanks to its upgradeability — completely futureproof.

    Reviews Jun 2019
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    IGS Audio Springtime

    Four-channel Spring Reverb

    We get hands-on with the most unusual device yet to spring forth from the IGS workshop.

    Reviews Jul 2016
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    Vermona DAF1 & PH16.

    Vermona DAF1 & PH16

    Analogue Filter & Phaser

    These two new rack processors from Vermona offer flexible filtering and phasing with a range of interesting modulation options.

    Reviews Feb 2003
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    Eventide Eclipse

    Multi-effects Processor

    Eventide's new entry-level unit brings their high-end algorithms within reach of the serious home studio owner.

    Reviews Sep 2001
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    Lexicon MPX500

    Dual-channel Effects Processor

    Lexicon's new mid-priced unit strikes a balance between the ease of use of their budget gear and the flexibility and sonic class of their high-end products. Paul White gets an exclusive first look...

    Reviews Feb 2000
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    Electrix Filterfactory & Warpfactory

    Filter & Vocoder

    Can these new digital interpretations of classic analogue filters and vocoders really offer something new?

    Reviews Oct 1999
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    TC Electronic M3000

    Studio Reverb Processor

    Mike Collins provides some early reflections on TC Electronic's latest reverb unit and effects processor.

    Reviews Jun 1999
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    TC Electronics G Force

    Guitar Effects Processor

    Though marketed as a guitar effects unit, the G Force might be more accurately described as a full-function studio effects processor with some neat guitar-related functions added.

    Reviews Apr 1999
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    Behringer DSP1000 Virtualizer V2

    24-bit Multi-effects Unit

    We try out what must be the most cost-effective programmable 24-bit effects unit on the market. But can quality really come at such a low price?

    Reviews Apr 1999
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    Lexicon MPX100

    Dual-channel Effects Processor

    If you've £250 to spare and a reverb-shaped hole in your studio, Lexicon would like you to fill it with their latest budget processor, which offers 20-bit converters, a digital output as standard, and the famous Lexicon Ambience effect.

    Reviews Aug 1998
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    ART Quadra/FX

    4-channel Effects Processor

    ART have been championing the cause of musicians on a budget for years with their great value multi-effects units. We check out their latest effort, offering true 4-in, 4-out capabilities for under £300.

    Reviews Jul 1998
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    Digitech RPM1

    Valve Rotary Speaker Simulator

    There have been Leslie simulators before, but none to exploit the sympathetic warmth of valves.

    Reviews Feb 1996
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    Digitech Studio Quad

    Digital Effects Processor

    Paul White tries to pigeonhole Digitech's new effects unit — but quickly discovers that it can mean different things to different users.

    Reviews Feb 1996
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    Digitech TSR6

    Stereo Effects Processor

    Digitech have trimmed back both price and features for the latest addition to the TSR effects family. But does the newcomer offer enough bang per buck?

    Reviews Feb 1996
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    Roland SDX330

    Dimensional Expander

    Everyone is looking for that elusive extra dimension to their mix, and Roland's latest unit claims to deliver it right out of the box. Dave Lockwood assesses dimensional expansion for himself.

    Reviews Jul 1994
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