Signal Processors

Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.

Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.

I’ve been trying to get my reverb settings worked out, but when I settle on what I think sounds right two main...

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Pitch-correction software has lots of uses besides putting vocals in tune! We uncover the creative roles to which today’s pitch processors can be employed.

I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Any advice?

Q What does an API 2500 compressor’s ‘Thrust’ control do?

I don’t understand what the ‘Thrust...

Pitch correction of vocal parts is now commonplace in all but a few genres. Find out how to craft a professional-sounding result.

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When I'm doing vocal pitch-correction, should I include breath sounds if I'm trying to get the sound to be realistic? I'm...

Take Sonar back to the ’60s with this vintage-style tape-flanging effect!

Now that we have digital models and dynamic convolution technology, were spoilt for choice when it comes to classic compressor flavours. But whether hardware or software, which is right for which job?

Second-hand tape recorders are cheap and can provide uniquely warm, organic delay effects. Best of all, its a piece of cake to integrate them into a digital mixing setup. We tell you how...

I've never known what the difference is between a passive EQ and an active one. Could you explain?

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I know they are all dynamics processors, but what's the difference between a levelling amplifier, a limiter and a...

I have been recording music for quite a few years now, but I always get the same problem when I listen back to my mixes:...

Are all convolution reverbs the same? I'm looking to get a decent reverb for my Pro Tools rig, and there seems to be lots...

I own a Focusrite Liquid Channel (which is great!) and would like to connect it to my MOTU 828's digital input...

In the recent TV ad campaign for Marks & Spencer, they use the Electric Light Orchestra track 'Mr Blue Sky'. There's a distinctive robotic vocal sound in it that I am curious about. How was it made?

Last month we discussed how to prepare mixes so that they are ready for the mastering engineer. This month, we look inside the mastering room during the processing of an album, to see what kind of equipment is used, and the sort of processes that are applied to finish the tracks to the required standard.

The new Tiger AUPitch plug-in promises better pitch-shifting performance, but does it deliver in practice?