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Signal Processors

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    JoeMeek SC4

    Stereo Compressor

    JoeMeek combine the old and the new in their opto-electronic analogue compressor with 24-bit digital I/O and M&S signal path. Paul White tries it out.

    Reviews May 1999
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    SPL Vitalizer MK2-T

    Psychoacoustic Enhancer

    The latest incarnation of SPL's enigmatic Vitalizer offers a mixture of the qualities of other models in the range. But does it have anything new to offer?

    Reviews Apr 1999
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    TC Electronics G Force

    Guitar Effects Processor

    Though marketed as a guitar effects unit, the G Force might be more accurately described as a full-function studio effects processor with some neat guitar-related functions added.

    Reviews Apr 1999
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    Behringer DSP1000 Virtualizer V2

    24-bit Multi-effects Unit

    We try out what must be the most cost-effective programmable 24-bit effects unit on the market. But can quality really come at such a low price?

    Reviews Apr 1999
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    JoeMeek C2

    Stereo Compressor

    Is it really possible to produce a worthwhile stereo compressor which sells at under £200? Paul White finds out.

    Reviews Apr 1999
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    Big Briar Moogerfooger Filter

    Low-pass Filter

    Bob Moog's analogue filter in a pedal certainly has the vintage look — but does it capture that vintage Moog sound? Paul White does the stomp and finds out.

    Reviews Apr 1999
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    Lexicon MPX G2

    Guitar Effects Processor

    Is it a bird? Is it a plane? No, it's a new guitar-oriented effects unit from Lexicon. But will it inspire our mild-mannered reported John Walden to turn his Clark Kent chords into guitar (super)heroics?

    Reviews Mar 1999
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    TL Audio C1

    Valve Compressor

    TL Audio have gained an enviable reputation for high-quality processors. Hugh Robjohns takes a look at the latest addition to their Classic range.

    Reviews Mar 1999
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    Line 6 Pod - the original

    Line 6 Pod

    Physical Modelling Guitar Preamp

    Can this intriguing little box really emulate the recorded sound of many of the world's greatest guitar amplifiers?

    Reviews Feb 1999
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    TC Electronic Finalizer Express

    Mastering Processor

    Taking the essence of the highly regarded Finalizer Plus, TC Electronic have repackaged their multi-band compressor in a new easy-to-use format. Hugh Robjohns puts it through its paces.

    Reviews Feb 1999
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    Digitech Studio Quad 4

    Multi-effects Unit

    Digitech's Quad 4, like its predecessor, can treat up to four signals independently, parcelling out its processing power according to your requirements. Could this be the only multi-effects unit you need? Hugh Robjohns finds out...

    Reviews Feb 1999
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    SPL Qure front panel.

    SPL Qure

    Parametric Equaliser

    We get down to some serious equalising with SPL's most Qurious product to date.

    Reviews Jan 1999
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    Sony DPS V55m

    4-channel Multi-effects Processor

    Sony's new mid-priced multi-effects unit boasts four-channel operation, 200 preset effects algorithms, comprehensive user programming capability, and great sound quality to boot. Hugh Robjohns spins that dial...

    Reviews Jan 1999
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    Drawmer MX60 Front End

    One Input Channel

    Paul White bypasses his mixer and goes directly to tape with Drawmer's new mic/line/instrument input channel.

    Reviews Jan 1999
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    Alesis Q20

    Stereo Multi-effects Unit

    Paul White meets the latest version of Alesis' Quadraverb concept, and finds it respendent with 20-bit I/O, improved digital and analogue interfacing, and a proper internal PSU.

    Reviews Dec 1998
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    Digitech 2120

    Artist Guitar Preamp/Effects Processor

    It's small, beautifully formed, shows a fondness for purple and claims to be an 'Artist'. John Walden finds out whether Digitech's new guitar preamp/effects processor sounds fit for a Prince.

    Reviews Dec 1998
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    Eventide DSP4500

    Ultra-harmoniser/Multi-effects Processor

    Eventide, the undisputed masters of digital pitch-shifting, have launched a limited-edition version of their industry standard DSP4000. Is it just window dressing, or does it have anything genuinely new to offer? Hugh Robjohns finds out.

    Reviews Nov 1998
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    SPL Transient Designer

    Dynamics Processor

    SPL are remowned for producing highly specialised audio processing tools, and their latest product is no exception. Paul White attempts to unravel the mysteries of the Transient Designer dynamics processor.

    Reviews Oct 1998
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    Antares ATR1

    Auto Tune Intonation Processor

    Paul White tries out something that he wishes had been available back in his intensive gigging days — a box that automatically puts your vocals in tune in real time!

    Reviews Oct 1998
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    Zoom 503

    Guitar & Bass Amp Simulator

    Can you get a wall of sound from something the size of a brick? John Walden plugs in his guitar, inserts his earplugs and finds out.

    Reviews Oct 1998
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    Digitech Studio S200

    Dual-engine Multi-effects Processor

    Sitting in Digitech's Studio range between the S100 and the Quad 4, the new S200 combines the functions of the former withthe ergonomics of the flatter. Hugh Robjohns checks it out.

    Reviews Oct 1998

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