Innovative compressor features low- and high-pass key signal filtering.
API Select range comprises valve compressor and preamp, solid-state compressor and EQ, and two guitar pedals.
Have you ever wondered what lies behind the intriguing wobbles and lush swooshes of this classic effect?
In this episode, Eddie Bazil discusses using Transient Shapers in place of EQ and provides six practical examples.
X-Gear stompboxes offer distortion, modulation, delay and reverb treatments, and computer integration via USB.
Saturation effects can be used in different ways to make mixing easier. Find out how...
Audio files to accompany SOS May 2021's Saturation Stratgeies workshop.
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
Olivier and Johannes go behind the scenes on the techniques that they used to create their latest collaborative album featuring the use of VoIP technology to process sound.
Royal Mu compressor and Royal Q equaliser join the APB module line-up.
Hungarian startup company unveil valve compressor and EQ.
Not all 500‑series racks are created equal. Here’s what you need to know to make your choice.
With so many modules on the market, how do you make the right choices?
EQ will make or break your master. It's the single most important factor in mastering, once you've decided the loudness...
The newest rack from the RND stable combines stereo A-D conversion, limiting and saturation processing.
Your DAW makes it easy to fake old-school doubling techniques, and gives you much more control than producers had in days gone by. We show you how...
Multiband compressors offer unique advantages over their broadband cousins — but they also present some perilous pitfalls for the unwary.
New vocal processor offers real-time voice effects and manipulation for live performance.
Creating your own shimmer reverb effects is easy, and gives you plenty of creative control.
Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.
I've got a Zoom MS-70CDR [multi-effects] pedal, and a few people are saying not to use it via an aux send and return, owing to a comb-filtering issue. Have you noticed this issue with digital pedals on aux returns?
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