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Signal Processors

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    Revoice Pro 3.2 Masterclass (Part 3)

    In-depth Guide

    We explore some more advanced techniques and less-obvious applications for Synchro Arts’ powerful audio-alignment processor.

    Techniques Feb 2017
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    Revoice Pro 3.2 Masterclass (Part 2)

    In-depth Tutorial

    We dive deeper into Synchro Arts’ powerful pitch-processing and audio-alignment software.

    Techniques Jan 2017
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    Revoice Pro 3.2 Masterclass (Part 1)

    In-depth Tutorial

    This uniquely powerful pitch, energy and time alignment software could save you hours of edits.

    Techniques Dec 2016
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    Extract Vocals From A Stereo Mix | Media

    Audio files to accompany the article.

    Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.

    Techniques Jun 2016
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    Extract Vocals From A Stereo Mix

    Tips & Techniques

    Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.

    Techniques Jun 2016
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    Creative Pitch Processing | Media

    Audio Examples

    Audio files to accompany the article.

    Techniques Dec 2015
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    Creative Pitch Processing

    Pitching New Ideas

    Pitch-correction software has lots of uses besides putting vocals in tune! We uncover the creative roles to which today’s pitch processors can be employed.

    Techniques Dec 2015
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    Flanger Management

    Sonar Tips & Techniques

    Take Sonar back to the ’60s with this vintage-style tape-flanging effect!

    Techniques Feb 2012
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    Pitch-correction Plug-ins

    Pro Tools Tips & Techniques

    Pitch-correction plug-ins are the key to the current trend for weird vocal effects. Here’s how to achieve them in Pro Tools.

    Techniques Dec 2011
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    Quartz Composer: OS X's Hidden Gem

    Apple Notes

    While Mac users continue to wait in anticipation for new Mac hardware and software, we explore a really neat application you might not realise you even own, which lets you create your own MIDI- and audio-based visual performances.

    Techniques Apr 2007
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    Preparing Your Music For Mastering: Part 2

    Mastering: How The Pros Do It

    Last month we discussed how to prepare mixes so that they are ready for the mastering engineer. This month, we look inside the mastering room during the processing of an album, to see what kind of equipment is used, and the sort of processes that are applied to finish the tracks to the required standard.

    Techniques Oct 2005
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    AUPitch: Better Pitch-shifting?

    Logic Tips & Techniques

    The new Tiger AUPitch plug-in promises better pitch-shifting performance, but does it deliver in practice?

    Techniques Oct 2005
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    Comparing Audio Restoration Plug-ins In Pro Tools

    Pro Tools Tips & Techniques

    We line up three of the most popular audio restoration packages available for Pro Tools. Which gives the most natural results, which is easiest to use, and how do you get the best from them?

    Techniques Aug 2005
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    Convolution Processing With Impulse Responses

    How It Works

    Although convolution is often associated with high-end reverb processing, this technology makes many other new sounds available to you once you understand how it works.

    Techniques Apr 2005
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    Using Your Plug-in Delay Effects

    Sequencer Delay Masterclass

    Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.

    Techniques Jul 2003
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    Using Your Sequencer's Reverb Processors

    Masterclass

    Reverb is vital for most types of modern music production, so it's no surprise to find that many sequencers provide a variety of reverb plug-ins. But what do all those different parameters do?

    Techniques Jun 2003
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    Using Your Sequencer's Equalisers

    EQ Masterclass

    There are many choices to make when equalising within your sequencer. Which type of EQ is best? How should you set up the different bands? Which controls do you need? We provide some answers...

    Techniques May 2003
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    Using Your DAW's Gates & Expanders

    Software Gating Masterclass

    Following on from our discussion of compression and limiting last month, let's look at how you can use the related processes of gating and expansion within your DAW.

    Techniques Apr 2003
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    Using Your DAW's Compressors & Limiters

    Software Dynamics Masterclass

    All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?

    Techniques Mar 2003
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