We explore some more advanced techniques and less-obvious applications for Synchro Arts’ powerful audio-alignment processor.
We dive deeper into Synchro Arts’ powerful pitch-processing and audio-alignment software.
UA’s latest updates add new compressors, delays, voice channels and virtual bass amps, as well as refreshing a few familiar faces.
Room simulation on headphones usually stops being convincing as soon as you move your head. Not so with Waves’ new Nx...
iZotope say that Neutron not only has the processing power to address all sorts of mixing issues, but the intelligence to help you identify them.
Eiosis’ revolutionary de-esser is reborn, with extra features and a snazzy new interface.
Infected Mushroom isn’t some kind of embarrassing and painful ailment, but rather a ‘make it all sound bigger’ plug-in...
This uniquely powerful pitch, energy and time alignment software could save you hours of edits.
We’ve come to expect the unexpected from Zynaptiq, and their new reverb delivers just that!
This Russian guitar-amp modelling plug-in is a souped-up recreation of the Engl E530 rackmounting studio preamp...
Developed in collaboration with top mixing engineer Andrew Scheps, Waves' Scheps Parallel Particles plug-in is probably the closest you’ll get to a ‘more of everything’ processor.
This plug-in is based on engineer/producer S Husky Höskulds' Ampex reel-to-reel tape recorder, which he had modified to act as a distortion processor.
Audiofile Engineering’s powerful batch processor can really speed up those repetitive tasks for Mac users.
Once available only to Pro Tools users, AIR’s comprehensive plug-in bundle is now open to all — and has been augmented by some intriguing additions.
This inexpensive and conceptually simple plug-in, compatible with all iZotope’s usual Mac/PC formats, applies the principles of the Shepard Tone to filtering.
A trio of easy-to-use plug-ins from Waves aims to bottle the signature sounds of pop producer Greg Wells.
Positive Grid’s latest plug-ins let you craft your own boutique compressor designs without ever touching a soldering iron.
Acustica Audio’s new Acqua series of plug-ins are painstakingly ‘sampled’ from high-end hardware. Does the end justify the means?
Many well-known engineers are now lending their names to plug-ins, and now metalcore specialist Joey Sturgis has joined the fray.
With new amps, effects and a stripped-back GUI, is Overloud’s modelling software ready to play a headline slot?
With its built-in Overloud guitar and bass processing, could this iPad-controlled mixer do away with the need for backline altogether?
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