Hungarian startup company unveil valve compressor and EQ.
Arturia add some helpful extras to their plug-in models of three classic analogue modulation effects.
This characterful compressor offers a little more control than most ‘vibe machines’.
Waves breathe a little freshness into the familiar.
The EQ2 offers quality graphic and parametric EQ, with full MIDI capabilities, all delivered in a robust pedal. What's not to like?
Though there’s only one main user control, VocalMint's audio path comprises a serial chain of three different types of compressor, and multiple behind‑the‑scenes parameters have been optimised specifically for vocal processing.
SoundMorph’s Dust takes an interplanetary approach to granular resynthesis.
Much more than a crossfade tool, Transmutator offers multiple blending modes that allow you to combine or transition between two signals in creative ways.
Eventide’s Spring is a meticulous emulation of the kind of spring reverb you might find in a guitar combo, but with an extended parameter range for more creative uses.
EQ will make or break your master. It's the single most important factor in mastering, once you've decided the loudness...
Not all 500‑series racks are created equal. Here’s what you need to know to make your choice.
With so many modules on the market, how do you make the right choices?
IK’s latest modular processing suite brings a whole new meaning to the idea of ‘mixing in the box’.
Warm Audio’s Foxy Tone Box claims to be an accurate recreation of one of the most sought‑after vintage fuzz pedals of all time...
Boss got so much right with their DD‑3 that it has remained on sale ever since it launched in 1986. But this year they’ve updated it and introduced the more adventurous DD‑8.
If you regularly learn or transcribe songs from audio, deCoda might be just the helping hand you need.
The newest rack from the RND stable combines stereo A-D conversion, limiting and saturation processing.
Unisum boasts a unique array of advanced parameters, but achieving good results isn't as daunting as you might think.
Delving into multiband distortion territory, God Mode offers three types of overdrive that can be dialled in at the same time.
While capturing the sound of the original hardware and controls, IK have added several useful features that today's DAW user should appreciate.
Not all algorithmic reverbs work in the same way.
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