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Signal Processors

Displaying 1 - 7 of 7 items
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    Hof Dynamic Master

    Compressor

    Paul White studio tests a compressor whose main claim to fame is that you can't hear it working. Is transparency merely an attribute of the Emperor's new clothes, or is this unit something rather special?

    Reviews Oct 1997
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    NTI Nightpro EQ3D

    Dual-channel Equaliser

    High-quality equalisers have the magical property of allowing you to tweak tonal content, while themselves remaining practically invisible to the ear. Hugh Robjohns checks out a contender from an American company new to the UK market.

    Reviews Oct 1997
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    SPL Machine Head

    Digital Tape Saturation Emulator

    Tape saturation is the latest thing to get the physical modelling treatment. Can two high-powered DSPs, however, really achieve the same effect as a strip of rust being dragged over a magnet? Paul White investigates.

    Reviews Oct 1997
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    Symetrix 606

    Dual-channel Delay

    With their new 606 delay, Symetrix have attempled to combine today's technology with the user interface of yesteryear. Paul White finds out how well they've succeeded.

    Reviews Oct 1997
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    Multi-effects Explained: Part 4

    Using MIDI To Add Dynamics

    Paul White looks at how MIDI can be used to turn static effects into dynamic ones.

    Techniques Oct 1997
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    ART Effects Network

    Reverb/Delay Unit

    £300 is becoming a crowded price point for well-specified effects units, but Art nevertheless hope to stand out with their new Effects Network. Martin Walker decides whether it has what it takes to muscle in on the competition.

    Reviews Oct 1997
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    Where To Use Processors & Why: Part 1

    Gates & Compressors

    Paul White offers a little practical advice on the application of signal processing during recording and mixing.

    Techniques Oct 1997
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