SOS PODCASTS

Eddie Bazil of Samplecraze explores the various ways that delay effects can be used and applies these techniques to a finished composition.

Eddie Bazil gives us an introduction into the creative use of Phasers, with practical examples using drums, vocals and synth pads.

In this episode, Mathieu Gendreau shares 6 advanced top tips to help you mix drums like a pro.

In this show Paul White guides you through seven reverb treatments, from simple to complex, and demonstrates how combining reverb with other commonly available plug-ins can produce creative textures and ambience in your music.

Mat Gendreau shares his 5 top tips for using parallel processing techniques on voice, bass and drums.

Canadian producer and educator Mat Gendreau shares his Top 5 Tips on processing reverbs to fit with your song tempo and to avoid overpowering a mix.

In this episode, Mike Senior demonstrates several ways spill can actually improve the sound of your productions.

Grammy Award-winning engineer and producer Dom Morley chats with Sam Inglis about the art and craft of recording and mixing vocals.

Distortion can be a surprisingly useful mix effect, if you know what you're doing. Mike Senior reveals several common applications, and explains how to get the best results in practice.

Mike Senior delves into some of the most common troubleshooting tasks when dealing with acoustic guitar recordings at mixdown, and shares his own favourite processing fixes.

Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.

Compression can do radically different things to the sound of a snare drum, depending on how it's set up. In this episode, Mike Senior explores three ways in which a compressor can help bring your snare tracks to life.

Cardioid mics are tremendously popular amongst recording musicians, but can also work against you. In this episode, Mike Senior explains some of the reasons why, and illustrates how omni and figure‑eight patterns can often give more useful results.