I’m a long‑running technical electronics repair and design engineer working in music for film...
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Is it common to combine an omni mic for LF extension with one or more directional mics for higher up?
I’m about to be given an old mixer to play with in my studio and am planning to check each input and output, check the EQ does...
If I open a 16‑bit, 96kHz audio file, resample it to 48kHz, and then export it again, still at 16 bits, do I need to apply dither?
I got a separate 1TB drive to use with NI Komplete and told NI’s Native Access installer app to put the plug‑ins/apps on the system drive and the sample data on the external drive, and left it overnight...
I was wondering why we put speakers in the classic triangle with the listening point at the apex?
I have an inexpensive ART P16 XLR patchbay that I’d like to reintroduce and I’m wondering whether this will degrade the quality when I’m tracking, mixing and mastering — it would potentially be the weakest link in my signal chain?
I’ve seen stereo mic arrays that claim to capture 196 degrees of the sound stage. What’s the point if the speakers can only reproduce 60 degrees of the whole image?