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I was wondering why we put speakers in the classic triangle with the listening point at the apex?
I have an inexpensive ART P16 XLR patchbay that I’d like to reintroduce and I’m wondering whether this will degrade the quality when I’m tracking, mixing and mastering — it would potentially be the weakest link in my signal chain?
I’ve seen stereo mic arrays that claim to capture 196 degrees of the sound stage. What’s the point if the speakers can only reproduce 60 degrees of the whole image?
I purchased some small‑diaphragm electret condenser microphones from 12 Gauge Microphones and can only use them on my non‑transformer input mic preamps. Do you know of a way to make these mics work with my transformer input preamps?
I’m trying to improve the sound of my speech recordings which can be a bit ‘echoey’. I’ve been using a Rode NTG4 shotgun mic...
I’m trying to figure out the best acoustic setup for a small ready‑made vocal booth, with a floor area measuring 4 x 5 feet...