Has anyone at SOS had any success fixing Auralex LENRD bass traps to a soundproof plasterboard wall/ceiling?
I've replaced my RADAR II 24-channel multitrack recorder with a RADAR Studio model. Can I reuse the three original D25‑D25 cables on the new machine?
In the AEA RPQ2 ribbon mic pre review, what exactly did the reviewer mean by "Still has limited ability to remove unwanted subsonic components"?
I can't find an all-pass filter plug-in in Logic, or an obvious freeware — can you recommend anything?
Can I get good results on a Dobro that has a Shertler Basik on‑board mic, or will I need a piezo pickup?
I read that 1dB is the minimum difference in volume that can be noticed, but I often end up doing much smaller changes in mixes. Am I fooling myself?
I just purchased a pair of Neumann KH120A monitor speakers and am in the process of calibrating them for my room. Can I adjust each monitor differently?
I want to run two balanced microphone signals down one four-core screened cable, using five-pin XLRs at both ends, with short dual-XLR3-to-XLR5 splitter leads at each end. Are there any inherent disadvantages of doing this?
How do you differentiate between the following terms: saturation, harmonics, distortion, overdrive? Are all of these just similar terms with different names?
For years I've noticed crossfades between two audio files don't behave predictably. I always thought the logarithmic shape was fool-proof, but is it programme-dependent?
If the loudness sits below -14LUFS, can I rely on the streaming services to apply their normalisation process to bring up the level when the song is streamed?
Can you recommend a mid-range (in terms of price) mic with a good off-axis response, for recording acoustic instruments?
I recently got some 110V rackmount synths and, being in the UK, I need a step–down transformer to power them...
I keep reading that some microphones' figure-8 behaviour is not equal. Does this apply to capacitor mics like the AKG C414 or Rode NT2-A?
I have a Roland RC‑30 looper pedal, but I want to be able to use a single microphone, set up so that I can use a foot pedal to switch the mic from the PA to the looper...
I'm having real difficulty routing a source track to FabFilter's side-chain when using Reaper. Has anyone done this before?
How should I pan my drum recordings in the mix? For instance, should the hi-hat be on the left or on the right?
I've been struggling with recording and mixing 'epic' guitar sounds. I'm after something that balances aggression with tone, but which doesn't sound too distorted... Any tips?
I couldn't use the Neumann TLM103 as my 'kicksnare' mic, as it couldn't handle the sound level produced by the drummer. Even with zero gain at the preamp this mic produced a distorted signal. What was I doing wrong?
Could you please explain what the Waves V‑Comp auto-release setting actually does? What is it trying to accomplish?