I get the impression that manufacturing tolerances for mid-range and cheaper microphones are not always as tight as one would desire. If I found a mic I liked, and were then to go out and buy that model of mic, might the one I tested and the one I bought sound significantly different?
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I’m seeking some guidance on why I’m unable to record from my guitar amp straight to my audio interface.
I can’t find good explanations about the ‘Playback Resample Mode’ options available in Cockos Reaper, specifically the difference between the Good (64pt Sinc) and Better (192pt Sinc — Slow) modes.
My band tracked some songs at a local studio using their Pro Tools rig and I want to mix the tracks at home in Reaper.
SOS Technical Editor Hugh Robjohns replies.
I’ve recently become interested in manipulating phase while mixing recorded drums to see what that would do.
I have a friend who has a problem. He uses two different amps on stage, one a Marshall and the other a Hughes & Kettner, with a 2x12 and 4x12 cab, respectively. Is there any way he can just use one cab for both amps?
I’m using the MeldaProduction Mixing Bundle plug-ins and I noticed that certain instrument patches sound very appealing and wide, but when I check them on Melda’s MStereoScope they appear fairly heavily out of phase. Should I worry about this?
I have some of my condenser mics running into more than one preamp, via a passive mic splitter, with only one of the preamps applying phantom power. Is this the way it should be?
Q What does an API 2500 compressor’s ‘Thrust’ control do?
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