Sound Modules

Yamaha's original Motif Rack was a fine-sounding, well-specified synth module, but it suffered from MIDI timing problems when reviewed in SOS. Two years on, we put the follow-up Motif Rack ES to the test...

If you want to get your hands on the latest VST Instruments and Plug-in effects, but don't fancy having a PC in your studio, Muse Research's Receptor could be the answer.

2002 saw the release of the Evolver, a quirky hybrid analogue/digital synth and sequencer from Sequential synth pioneer Dave Smith. Now he continues his renaissance with a four-voice polyphonic version that integrates neatly with the original.

The ATCX really could be seen as four synths in one, as its unassuming exterior conceals not only an adaptable true analogue synthesis architecture, but also the filter characteristics of classic synths that include the Minimoog and the TB303.

Software instruments are flexible, upgradeable, and frequently offer better user interfaces, while hardware offers better tactile feedback and is easier to use live. But what if you could combine the plus points of both? Enter the Noah...

It seems simple enough — take the successful Motif workstation, remove the keyboard, and release it as a more affordable rack unit. But there's lots more to the Motif Rack than meets the eye...

This quirky rack synth not only offers that genuine analogue sound, but comes with built-in MIDI interfacing and a very useful degree of patchability, for exciting sound-design potential.

10 years on from the Vintage Keys module, Emu are looking to repeat its success, this time with 128-note polyphony, 32 MIDI channels and 32MB of sample ROM. But is it a fine Vintage, or past its best?

Alesis brought us Air FX, a motion-controlled effects unit, just before they ran into financial trouble in 2001, so the planned synth version never really appeared at the time. Now that they're back, the Air Synth is with us at last...

Dave Smith, creator of the Prophet 5 and Wavestation, moved into software synthesis in the '90s, but now he's back with what he calls 'the ultimate dongle' — a hardware analogue and digital synth. We find out if he's still evolving...

Kurzweil are well known for their high-quality sounds, but less so for affordable hardware in which to house them. Is the new £350 ME1 the answer?

The latest Studio Canvas module from Edirol aims to expand the sound palette available to those who need GM and GS compatibility.

Designed to replace the JV1010 as Roland's entry-level synth product, the XV2020 is diminutive, affordable, and crammed with those great XV sounds. But what's it like to use?

The German team behind the inexpensive MARS have been responsible for several SOS-reviewed products in the past, although the MARS is the first under their own brand name Vermona. But is it more of a Trabant than an Audi?

Access have managed to add some excellent features to their Virus synth in the past simply by upgrading its OS, but the march of progress means that a hardware revision is eventually necessary. Does the new Virus C do enough to keep up with the virtual-analogue crowd?

Elevata is a 16-voice polyphonic, eight-part multitimbral modelling synth from UK innovators Red Sound. But with a number of virtual analogue synths available at the same price point, does the Elevata offer enough to distinguish itself?

The Edirol SD90 combines Roland's Sound Canvas sound set with a USB audio and MIDI interface.

Roland's latest module provides the most affordable way yet to access the company's fine XV soundset, albeit with reduced polyphony and a less intuitive user interface compared to the more expensive XV5080. We weigh up the pros and cons.

Roland released the JP8000/8080 virtual analogue synth way back in 1997, but never really followed it up. Now they've combined the modelling synth idea with their Groovebox concept, presenting it in compact form with a wealth of hardware control options...

Emu's synths may have broken no new ground since the 1999 launch of the Proteus 2000, but the new 2500 plays to their strengths, offering the best of their sound library, plus excellent sequencing and real-time control capabilities, at a very attractive price.

Novation's new A-Station seeks to combine the compact styling of their BassStation Rack synths with some of the spec of the prestigious Supernova and Nova - and all for £399! Is it an inspired bit of cross-breeding, or a misbegotten mongrel?