Sound Modules

AJH Synth’s first dedicated system reimagines what the Minimoog might be.

With the UNO Synth Pro X, IK have upped their synth game and targeted ‘serious’ synthesists.

Sometimes Knobula’s Pianophonic module sounds a whole lot like a piano, sometimes it just sounds piano‑ish, and sometimes it sounds nothing like a piano.

The Triple Cross is a three‑channel stereo crossfader and panner with some rather powerful tricks up its sleeve.

Are the motorised knobs of Melbourne Instruments’ debut synth a gimmick, or should all synths have them?

Intellijel pack their considerable Eurorack experience into a single standalone synth.

The Molten Motion Meter is the fruit of a collaboration between Robin and DIY‑leaning Eurorack company Befaco.

In the biscuit barrel of modular, ACRONYM is a chocolate Hobnob dunked into a chilli mochaccino.

Roland’s SH‑101‑inspired S‑1 is a great‑sounding synth with surprising depth.

ZAPS is designed for fast, percussive sounds that spit, splat, zip and zap, although it won’t shy away from the odd melody either.

The Trinity is a three‑voice drum module with four separate synthesis algorithms to generate its sounds.

Newcomers GS Music are kicking things off in style with an ambitious polysynth.

Think you know what analogue synthesis sounds like? Pittsburgh’s Taiga might change that...