Sound Modules

Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.

When Make Noise label an instrument an ‘experiment’, you know things are about to get interesting...

A long way from their rackmounted Minimoogs, Studio Electronics’ SE‑3X is a four‑filtered, paraphonic monster.

The Filtamp 1006 is a combined 24dB ladder VCF and VCA module with two mixable audio inputs, three modulation inputs, filter resonance and amplifier gain with linear or exponential control.

At its core, the Recombination Engine is a triple analogue VCO module based around reissue Curtis CEM 3340 VCO chips. How it combines the three, however, is quite unique...

Maestro is a six‑channel clockable and programmable LFO with an unusual button‑based front panel.

If you use software synthesizers, the name U‑he will be familiar to you. Their virtual synths —...

Erica’s Black Sequencer combines ambitious functionality with some of the best knobs money can buy.

Black Corporation have taken a single monophonic voice from Deckard’s Dream, made a few tweaks and packaged it into Eurorack format.

I don’t think I’ve ever been as pleasantly surprised by a module as much as I have with the Data Bender...

This may offend certain modular enthusiasts, but I’m a big believer in restriction aiding creativity. Eurorack designers...

The Tasty Chips GR‑1 makes granular synthesis more approachable than ever.

Qu‑Bit’s Surface collects together several percussive‑style physical modelling algorithms in one 10HP module.

The Syntrx is not a clone, but its inspiration is clear. Can it recapture the spirit of the legendary EMS Synthi?

The SWN is a fairly big 26HP six‑voice module capable of creating slowly morphing drones, polyphonic melodies, evolving sequences and a vast range of rich textures.

True to form, Teenage Engineering’s approach to modular synthesis is about as idiosyncratic as it gets.

Given its excellent price tag, this Eurorack mixer has more features than it has any right to, and it doesn’t skimp on the sound quality.

This stereo analogue filter allows different filter modes for the left and right channels, and then messes with the dimensions of space by applying mid‑side processing afterwards.