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Synthesis / Sound Design

Displaying 1 - 10 of 10 items
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    Scoring Stranger Things

    Michael Stein & Kyle Dixon

    Cult TV series Stranger Things has become essential viewing — and essential listening. We talk to the previously unknown composers behind its hit soundtrack.

    Techniques Mar 2017
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    Dr Robert & His Modular Moogs

    1964-1981

    Bob Moog's name is forever associated with the synthesizer — but why? We take a trip back in time to explain the story of the man and the modular systems that provided the basis for nearly all modern synths.

    People Oct 2003
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    The Theoretical Acoustic Guitar Patch

    Synth Secrets

    Having explained last month the reasons why analogue synthesis of guitar sounds should be well-nigh impossible, Gordon Reid puts the theory to the test...

    Techniques Sep 2001
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    Synthesizing Plucked Strings

    Synth Secrets

    Having dealt exhaustively with the mechanics of brass instruments and how to go about synthesizing them, we turn to instruments that use plucked strings to generate their sound, taking the complexities of the acoustic guitar as an example.

    Techniques Aug 2001
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    Brass Synthesis On A Minimoog

    Synth Secrets

    Last month we looked at how analogue modules can reproduce the sound of a real trumpet. All very well if you own a wall-sized modular system — but what if your means are more limited? Gordon Reid adapts theory to practice with a Minimoog.

    Techniques Jun 2001
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    Introducing Polyphony

    Synth Secrets

    Having explored the way monophonic and duophonic analogue keyboards work, Gordon Reid puts away his Minimoog and Odyssey and descends into the complex world of polyphonic synths to a flourish of complex jazz chords.

    Techniques Dec 2000
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    Priorities & Triggers

    Synth Secrets

    In these days of 64-note polyphony and 32-part multitimbrality, it's easy to forget the importance of note-priority systems in analogue monosynths — yet they can have a drastic effect on what you hear when you play or trigger an old synth. Gordon Reid provides a refresher course.

    Techniques Oct 2000
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    Envelopes, Gates & Triggers

    Synth Secrets

    You press a key on your synth. It plays a note. That's it, right? Wrong. We explain the role of envelopes, gates, and triggers in this deceptively simple process.

    Techniques Nov 1999
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    Of Filters & Phase Relationships

    Synth Secrets

    Having dealt last month with the concepts of envelopes, oscillators and LFOs, Gordon Reid moves on to the subject of filters, and the havoc they wreak on the signals that pass through them.

    Techniques Aug 1999
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    What's In A Sound?

    Synth Secrets

    In Part 1 of this (63-part) series exploring the world of subtractive synthesis, Gordon Reid goes right back to basics. What are waveforms and harmonics, where do they come from, and how does the theory relate to what we actually hear?

    Techniques May 1999
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