Granular synthesis is the core technology behind the latest time-stretching and pitch-shifting algorithms, but it can also be used to generate extraordinary evolving soundscapes. We explain how the process works and show you how to get the best from the software that uses it.
Although the Ion is already well-respected for its sound quality, its synthesis architecture is also surprisingly flexible. We show you how to get the best from this little beast in your studio.
Although the Access Virus features one of the most knobby control surfaces amongst virtual analogue synths, there's a lot of programming flexibility available which isn't immediately obvious. We show you how to uncover the hidden possibilities?
In the penultimate instalment of this long-running series, we delve deeper into what can be achieved with just a few delays and some creative routing...
In this final instalment of our series of XG programming tips, we take a look at how the advanced modulation parameters can bring your layered sounds to life.
Layering voices is one of the best ways to maximise the potential of your XG sound module, so here are a variety of ingenious ways you can use this technique — you can even turn your synth into a high-spec step sequencer!
Effects can play just as important a role in sound creation as the elements in a synth's signal path — provided you have access to their constituent parts. We take a closer look at effects synthesis using simple delays.
There are lots of XG-format synthesizers in home studios, but their General MIDI heritage discourages many owners from using them. However, there's life in your XG module yet if you're willing to explore its hidden depths.
When synthesizing sounds, the effects you place after your synth's output are often as important as the synth itself (just think of last month's Leslie). As we near the end of Synth Secrets, we consider how a digital effects processor works.