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Synthesizers

  • 7256

    Sound Modules

  • 8198

    Synthesis / Sound Design

  • 8106

    Synth Secrets

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    Figure 1: [top-left] A simple monosynth. Figure 2: [bottom-left] A four-note broken chord played on a low-note-priority monosynth. Figure 3: [top-right] A four-

    Introducing Polyphony

    Synth Secrets

    Having explored the way monophonic and duophonic analogue keyboards work, Gordon Reid puts away his Minimoog and Odyssey and descends into the complex world of polyphonic synths to a flourish of complex jazz chords.

    Techniques Dec 2000
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    Figure 3: [top] Creating a. Figure 4: [bottom] The chromatic scale generated by the configuration in.

    Priorities & Triggers

    Synth Secrets

    In these days of 64-note polyphony and 32-part multitimbrality, it's easy to forget the importance of note-priority systems in analogue monosynths — yet they can have a drastic effect on what you hear when you play or trigger an old synth. Gordon Reid provides a refresher course.

    Techniques Oct 2000
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    Figure 1: [left] An irregular, non-repeating waveform.

    Envelopes, Gates & Triggers

    Synth Secrets

    You press a key on your synth. It plays a note. That's it, right? Wrong. We explain the role of envelopes, gates, and triggers in this deceptively simple process.

    Techniques Nov 1999
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    Figure 1 [top] and Figure 2.

    Of Filters & Phase Relationships

    Synth Secrets

    Having dealt last month with the concepts of envelopes, oscillators and LFOs, Gordon Reid moves on to the subject of filters, and the havoc they wreak on the signals that pass through them.

    Techniques Aug 1999
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    Figures 7, 8 and 9: Shown from top to bottom.

    What's In A Sound?

    Synth Secrets

    In Part 1 of this (63-part) series exploring the world of subtractive synthesis, Gordon Reid goes right back to basics. What are waveforms and harmonics, where do they come from, and how does the theory relate to what we actually hear?

    Techniques May 1999

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