The Jupiter 8 looms large in synthesizer history, and any synth bearing the name has a lot to live up to. Is the Jupiter 80 destined for the same legendary status? Find out in our world‑exclusive review...
Part 2: We conclude our review of Roland's fabulous new rackmount synth, and look at the built-in VC1 and VC2 cards, which respectively convert the V-Synth XT into a fully functioning D50 and a powerful vocal-processing synth.
Part 1: The V-Synth repackaged Roland's groundbreaking Variphrase technology, creating a powerful new kind of sample-based synthesis. Now there's a rackmount V-Synth, and (as you'll discover in Part 1 of our two-part review) it's more powerful than the first...
The Fantom X is Roland's best-ever workstation, but it has suffered from one or two annoying omissions, such as the ability to import Roland's own sample format. We explore the Fantom Xr rack module and ask if the v2 OS and editing software provide the solutions?
Giving a modern instrument the same name as a line of vintage analogues that have an assured place in the synth hall of fame invites comparisons. So is the Juno-D the rightful heir to the Juno throne or more of a young pretender?
Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?
We show you how to edit and save your synth's Patches, and help you maximise the effects potential of your multitimbral setups. Plus there's advice on troubleshooting thorny panning problems, and tips on automating levels without changing your individual sounds.
Ubiquitous though Roland's long-lived range of sound modules appear to be, not many users get the best out of the vast synthesis and processing potential they offer. So here's how to coax circus-pony tricks out of your studio workhorse.