With little advance warning, Roland have unleashed a new flagship workstation-cum-synthesizer which builds on the Fantom's legacy with a brand-new design developed from the ground up for modern music production. It comes in three models: Fantom 6 (61 keys), Fantom 7 (76 keys) and the 88-key Fantom 8. Read the Sound On Sound full in-depth review here.
We show you how to edit and save your synth's Patches, and help you maximise the effects potential of your multitimbral setups. Plus there's advice on troubleshooting thorny panning problems, and tips on automating levels without changing your individual sounds.
Ubiquitous though Roland's long-lived range of sound modules appear to be, not many users get the best out of the vast synthesis and processing potential they offer. So here's how to coax circus-pony tricks out of your studio workhorse.
As explained last month, synthesizing the sound of an acoustic piano is difficult, but it can be done reasonably realistically, as the 1986-vintage Roland JX10 shows. We find out how Roland managed it...